I recently got a training DVD on colorization techniques for video. It was pretty informative and I was able to translate a few of the techniques into Edius techniques based on what I know of the filterset.
There was one technique the creator used I haven't figured out how to do easily. He was using FCP with some Nattress filter plugins. There was a vignette plugin that allowed you to adjust the size of the vignette easily. From within the filter you could also apply blending using the same options we have with the Keyers in Edius. This was all in one filter.
The only way I could think of to do this in Edius was to use photoshop to create a transparent matte/vignette and put it on a track above my clip and then use the keyer to adjust the overlay setting. While this works if you make the vignette the wrong size you have to go back to photoshop and readjust it and then that vignette would have to be the same for every clip. With the FCP filter you could adust it by the clip to optimize the colorization based on the clip contents.
Is there an easy way to do this short of a transparent matte layer and the keyer track? I can kinda get the same effect by using border darkening only in the old movie filter but the amount is identical for every clip and you lose the ability of the Keyer track options for the overlay.
I hope all that makes sense....I guess if you are a FCP user as well it may. Anyone have ideas that don't involve a drawn out process. If I want to jump through lots of hoops and spend lots of time I will use another NLE and have to render all the time. :-)
There was one technique the creator used I haven't figured out how to do easily. He was using FCP with some Nattress filter plugins. There was a vignette plugin that allowed you to adjust the size of the vignette easily. From within the filter you could also apply blending using the same options we have with the Keyers in Edius. This was all in one filter.
The only way I could think of to do this in Edius was to use photoshop to create a transparent matte/vignette and put it on a track above my clip and then use the keyer to adjust the overlay setting. While this works if you make the vignette the wrong size you have to go back to photoshop and readjust it and then that vignette would have to be the same for every clip. With the FCP filter you could adust it by the clip to optimize the colorization based on the clip contents.
Is there an easy way to do this short of a transparent matte layer and the keyer track? I can kinda get the same effect by using border darkening only in the old movie filter but the amount is identical for every clip and you lose the ability of the Keyer track options for the overlay.
I hope all that makes sense....I guess if you are a FCP user as well it may. Anyone have ideas that don't involve a drawn out process. If I want to jump through lots of hoops and spend lots of time I will use another NLE and have to render all the time. :-)
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