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Some of the forum members previously advised me that Edius is a great program. They weren’t kidding!
It only took me a few minutes to learn to do basic editing, exporting, etc.!
I used a third party program, Cinecap, and the NX hardware for frame-by-frame telecine capture with the Canopus Lossless codec.
In the captured file on the timeline, I adjusted the speed, edited, made color-constrast corrections, and exported (printed) it to a new file.
In adjusting the 18 fps footage to normal playback (60% speed) I was delighted to see something in Edius I had never seen before in speed processing using Cinecap or Premiere.
In Edius, each frame was actually different from the previous frame. Premiere (6.02) used a method of interlacing that created sporadic inter-frames; i.e., one or perhaps two identical successive original frames, separated by an interlaced frame.
Edius provides a much smoother speed adjustment and is more visually appealing.
All I can say is, Wow!
It only took me a few minutes to learn to do basic editing, exporting, etc.!
I used a third party program, Cinecap, and the NX hardware for frame-by-frame telecine capture with the Canopus Lossless codec.
In the captured file on the timeline, I adjusted the speed, edited, made color-constrast corrections, and exported (printed) it to a new file.
In adjusting the 18 fps footage to normal playback (60% speed) I was delighted to see something in Edius I had never seen before in speed processing using Cinecap or Premiere.
In Edius, each frame was actually different from the previous frame. Premiere (6.02) used a method of interlacing that created sporadic inter-frames; i.e., one or perhaps two identical successive original frames, separated by an interlaced frame.
Edius provides a much smoother speed adjustment and is more visually appealing.
All I can say is, Wow!
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