A client, a global brand that I handle TV ads for here in the UK (clearance modification legalising and delivery) asked me to handle cinema clearence.
That was a painless.
However the client had been told that DCM London would "handle the file creation". This turned out to be "a misunderstanding" and the "Hi David, can you..." email popped into the inbox. A somewhat different ballgame from where we started.
Audio has to go through a Dolby Licensed lab - and boy do they know how to charge...Global creatives will supply stems etc and that is in hand.
I know a few of you are up to speed on this so I seek your advice.
1 Master is 23.98 ProRes HQ - 24 fps Tiff sequence required. What is the best way to achieve this? Anything wrong with dropping the 23.98 onto a 24fps timeline and exporting the image sequence.
2 Can I assume that the Tiff sequence from Edius is as good as any other sotware can produce. ie will " a London Post House" do anything better than "Essex Boy Dave"?
Thanks
David
That was a painless.
However the client had been told that DCM London would "handle the file creation". This turned out to be "a misunderstanding" and the "Hi David, can you..." email popped into the inbox. A somewhat different ballgame from where we started.
Audio has to go through a Dolby Licensed lab - and boy do they know how to charge...Global creatives will supply stems etc and that is in hand.
I know a few of you are up to speed on this so I seek your advice.
1 Master is 23.98 ProRes HQ - 24 fps Tiff sequence required. What is the best way to achieve this? Anything wrong with dropping the 23.98 onto a 24fps timeline and exporting the image sequence.
2 Can I assume that the Tiff sequence from Edius is as good as any other sotware can produce. ie will " a London Post House" do anything better than "Essex Boy Dave"?
Thanks
David
Comment