I am using Edius 4.54 with Procoder Express. NX PCIE card with HD comp output to monitor. My current method is to capture and edit in HD and output to SD DVD.
I am trying this Workflow
1. HDV source captured from camera to canopus HQ avi 1440 x 1080/50i top field first.
2. Edit HD HQ clips in project set to HD 1440 x 1080 with component output to Hd monitor
3. After editing, set project output settings to SD PAL 720x 568i (lower field first)
4. Export timeline via Procoder Express to make MPEG2 file for DVD authoring (8500kbps CBR for short videos)
After reading other posts on similar subject I see there is another method that some people are using who do not have Prooder 3 like me. At my stage 3. they are creating an HQ avi file from the timeline then bringing this into a new SD project. Is this file an HD file or an SD file they create from the first edited project?? I would assume this is an HD file?
Does this achieve the correct color space conversion??
Will my method of switching the project output setting from HD to SD after editing achieve color space correction prior to encoding to MPEG by PCE??
Also there is the question of field order, the HDV canopus HQ file is upper field first but when I switch to the SD PAL DV setting for project output default is lower field first. The final MPEG 2 file is upper field first.
Will i be better to export direct from the HD timeline direct to SD MPEG via PCE (without color space correction) to avoid any field issues?
Any help would be appreciated as my aim is to achieve the best possible SD output but retain the option for HD later.
Peter
I am trying this Workflow
1. HDV source captured from camera to canopus HQ avi 1440 x 1080/50i top field first.
2. Edit HD HQ clips in project set to HD 1440 x 1080 with component output to Hd monitor
3. After editing, set project output settings to SD PAL 720x 568i (lower field first)
4. Export timeline via Procoder Express to make MPEG2 file for DVD authoring (8500kbps CBR for short videos)
After reading other posts on similar subject I see there is another method that some people are using who do not have Prooder 3 like me. At my stage 3. they are creating an HQ avi file from the timeline then bringing this into a new SD project. Is this file an HD file or an SD file they create from the first edited project?? I would assume this is an HD file?
Does this achieve the correct color space conversion??
Will my method of switching the project output setting from HD to SD after editing achieve color space correction prior to encoding to MPEG by PCE??
Also there is the question of field order, the HDV canopus HQ file is upper field first but when I switch to the SD PAL DV setting for project output default is lower field first. The final MPEG 2 file is upper field first.
Will i be better to export direct from the HD timeline direct to SD MPEG via PCE (without color space correction) to avoid any field issues?
Any help would be appreciated as my aim is to achieve the best possible SD output but retain the option for HD later.
Peter
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