If you want to use a still that has been captured from an interlace project take it into Photshop or some other photoediting software and de interlace and save a de interlaced file. This wil now not have the problem.
Interlace video seems to cause all sorts of confusion not least of which is the misconception that the 29.97fps of interlace video actually is 29.97P. The frame sync for interlace is every two fields to let the CRT's of the time know when to start the field sequence for display. Other wise they would not know whether to start with an odd or even line sequence. However an interlace 60i video is taking the same number of images as a 60P video they just are half the vertical resolution a field.
Flat panel displays need a progressive image so somehow NLE's etc have to create this progressive image either taking a field and interpolating etc. If you just add the two fields together you get the jaggies everyone knows about. Pause on some point on the timeline and very often the screen will flicker as it cannot decide which field to display. Fancy TV's with high refresh rates have the time to interpolate a progressive image over several fields. Any decode of interlace needs this frame sync to know how to display.
I take Photoshop format stills from the timeline then deinterlace in Photoshop for any further use.
Ron Evans
Interlace video seems to cause all sorts of confusion not least of which is the misconception that the 29.97fps of interlace video actually is 29.97P. The frame sync for interlace is every two fields to let the CRT's of the time know when to start the field sequence for display. Other wise they would not know whether to start with an odd or even line sequence. However an interlace 60i video is taking the same number of images as a 60P video they just are half the vertical resolution a field.
Flat panel displays need a progressive image so somehow NLE's etc have to create this progressive image either taking a field and interpolating etc. If you just add the two fields together you get the jaggies everyone knows about. Pause on some point on the timeline and very often the screen will flicker as it cannot decide which field to display. Fancy TV's with high refresh rates have the time to interpolate a progressive image over several fields. Any decode of interlace needs this frame sync to know how to display.
I take Photoshop format stills from the timeline then deinterlace in Photoshop for any further use.
Ron Evans
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